It’s in the detail

As I shared in my last blog post, I enjoyed time painting and drawing whilst on holiday recently. I showed you paintings of the sea and drawings of the islands, but what I did not share were the little details that caught my eye and captivated me enough to capture them.

Kioni plantlife growing through the wall

Kioni plantlife growing through the wall

On the island of Ithaca, we moored up in Kioni, a beautiful spot with red-roofed houses built into the hillsides and a feeling of creativity in the air… a pottery and jewellery shops seemed right at home here. It was one of those places where you find yourself dreaming of discovering a little gem of a house to renovate and return to each Summer. In high season, we would have been lucky to find a berth, but in October, we managed to get space on the quay, squeezed in between two other yachts. Here, we wandered the back streets of the picturesque village (or town, I was not sure). Few houses here survived the earthquakes of 1953, but a few interesting ones remained and I took photos of the details of some.

The image above was a snap on my phone. I was drawn to the muted, limited colour palette and the variety of textures. A plant I did not recognise had made its home between the cracks of a wall. Back at the boat, I zoomed in on the photo and worked on a little watercolour inspired by the details.

Watercolour inspired by Kioni plantlife

Watercolour inspired by Kioni plantlife

Little leaves shaped like hearts caught my eye on the path, the little spots on their skin echoing the small stones. It’s the little details like this that draw me in.

Heart-shaped leaf

Heart-shaped leaf

An abandoned house, just a few metres from the beach, beckoned me to its door to take a portrait. I loved the reflection of the trees in the glass that remained and the drape of the curtain through the gaps. The colour palette again, pale and sun-faded, with a hint of its vibrant past.

Abandoned house, Kioni

Abandoned house, Kioni

I just know such places have stories to tell… if only we could hear them! Write one for me about this place… go on.

It’s not just on holiday that such things move me. My phone acts as a visual notebook for capturing such moments and memories, in the woods and on the streets.

What catches your eye and inspires you in the everyday that others may just pass by?

Sometimes it works out… sometimes it doesn’t

 

worldpainting

One evening last week, I came home from work itching to paint. I was also tired, so I took a nap. When I awoke everything in me was resisting the process. I distracted myself. Cooked. Ate. I then spent some 90+ minutes on an exasperating web chat with TalkTalk, attempting (unsuccessfully) to resolve my lack of internet. By this point, I needed to paint!

I unwrapped a circular canvas purchased earlier in the week as I wanted to experiment and began the slow process of pouring acrylics and rolling them over the surface. WOW, it was powerful! Slow, meditative painting, it eased away the frustration I was previously feeling and soothed me into a relaxed and more peaceful mood. I also loved what I had created… an image that reminded me of worlds and of oceans; of weather systems and forecasts. I had not imagined this outcome when I started… I just need to create; to experiment; to make some sort of art.

I didn’t want to stop… I wanted to start another canvas, but it was approaching 3am, so I slept.

The thick layers were not quite dry in the morning, but I was equally pleased with the result. I still loved the universality of the image, but I loved, above all, that it reminded me of the joy of the process when looking back at it.

The following day, the urge to paint remained. Into a tiny window of time between waking and work, I squeezed a half hour of paint pouring, this time onto a smaller square canvas. My intention was to create something with a similar feeling to the piece made a few hours earlier, but it was just not working this time. The colours I used were different, but only slightly. The paint was not pouring in quite the same way and the colour blends that emerged were much murkier than the previous brights. I added white; added black. Both helped, but then I ran out of time. I would already be late for work, even if I left immediately and my fingers were covered in paint.

The feeling of excitement and anticipation I had felt on approaching had turned to  disappointment and deflation, but I told myself this didn’t have to be the end. I could let that layer dry and revisit at a later date. I also told myself that this was not a waste of time and that in creating something that had turned out to be less than I hoped, I had gained important information on what was not working so well… all knowledge I could apply to any future piece.

A feeling of not wanting to paint for fear of not creating something I has happy with came (was thankfully only fleeting) and went and was soon outweighed by a desire to do more work and learn from each piece.

Sometimes it works out… sometimes it doesn’t.
This is as true of painting as any other endeavour in life.

Whilst pulling weeds in the garden this morning, my partner and I observed how some of the roses he had planted in his garden had taken and others had not. They came from the same garden centre at the same time, were planted in the same soil at the same time. The position was slightly different, but the amount of sun and water the same. Sometimes it works out… sometimes it doesn’t. We have to keep trying.

What we do not see when we visit any solo exhibition is all of the work that didn’t make it; that was painted over; that was abandoned; that wasn’t good enough. It does exist. In most cases too, I feel certain that the works that don’t make the grade outnumber the pieces that do. But artists keep on making art.

And so, we go back to the canvas too, or back to our planting or back to the recipe book or back out on another first date, because sometimes it works and sometimes it doesn’t and if we don’t keep trying, then we don’t get to experience the magical moments when it does.

The interview that reminded me I’m at home here

Painting with floral detail

Painting with floral detail

It has been over two years since I posted on this site. I can hardly believe it has been so long and yet, so much has happened in that time…

• My work life has shifted from purely self-employed to a varied mix of roles.
• I have extended my house to provide my growing sons with bedrooms of their own.
• The extension has also opened up the back of the house, giving me a gorgeous space in which to cook and create whilst looking out over the garden. I cannot tell you what a feeling of expansion and bliss this gives me…
• I now enjoy a sense of space that I had never felt in this place and the changes have created a wonderful spot in which I look forward to running workshops very soon.
• I have experimented with blogging on my name site, but whilst that will remain live, with a few future changes, I felt drawn back to blogging here for some reason.
And now I am back, it feels like coming home.
Yes, Be Creative Daily feels like a home I have been away from for a while; a home that has gathered dust in my absence, but one where I feel at ease and able to be truly myself.
How often do we feel like that in the world, really? Even better when a friend, who knows what she is doing, has agreed to help give the site a Spring clean (watch this space)!

In my absence from this site, I have continued along my creative path, sharing art and inspiration on both Facebook and Instagram. I have made art in the woods on a regular basis, been drawing and painting on paper and on canvas, taken a parenting course that I would recommend to any Mum who feels like she’s struggling, spent a magical week in Japan, enjoyed time at sea sailing yachts – all of this around four part time jobs.
And still, I feel that I want to do more!
This is why I am back.
Because I know that I am not alone.

Today, as I often do, when home alone at the weekends (when my boys are with their Dad and my partner is away), I go search out the latest interviews on GLP Radio and this morning, I was drawn to a conversation between Jonathan Fields and Erik Wahl. I had not heard of Wahl before, but before the interview had finished, I knew I had to go seek out his latest book and dive in! The interview was one of those where you find your heart’s beating faster and you’re nodding in agreement and then, almost without realising it, shouting “YES!” at the computer because you know they get it! Wahl’s words that sent me back home to my blog, were these:
“There’s a lot of value in documenting your struggle; documenting your vulnerability and holding yourself accountable to producing a piece of art a day / producing a piece of writing a day and putting it out there because that act of putting it out there, is what helps you understand what the marketplace is looking for.”

The interview went deep… on parenting each of your children differently; on the history of graffiti; on using art as a form of healing, amongst so many other things. But most importantly, it served as a reminder of the reasons I first started blogging and why I should return. Not so much for the marketplace, but for a place of connection.
It was a commitment to making a piece of art daily and sharing it, that led me to set up this blog what feels like a lifetime ago. It was in making a piece of art daily and sharing my stories and experiences that I began to feel more connected and less alone. Blogging was a way to write openly about my struggles and vulnerabilities and in doing so, I connected with others who had similar feelings and experiences. I helped some people and some people helped me. So I am back… to remind you that you are not alone.

You’re not alone in your feelings of wanting to do more; be more; experience more. You’re not alone in your desire to be a good mother / a good friend / a good partner; to make art; make a living and to feel at peace with yourself and connected to family, friends and the world.

Right now, I am more in flow creatively than I can ever recall being…. and yet, I probably have less free time than I have ever had. The difference is this – I know how important my art is to me and well aware of the positive benefits, I make time to create.

One more stand out comment, in the interview I mention, came from the interviewer, Jonathan Fields. It brought tears to my eyes. Talking about art, he so simply expressed where I am in life right now and what I have come to believe,
“Maybe it’s not your living. Maybe it’s the thing you do to feel alive, but it’s not your living. And that’s OK.” 

We are in this boat together… welcome home. x