The road home

Another year ends and a new one begins.
Having not done any drawing over the Christmas period, I made the most of some quiet time to do a drawing today, New Year’s Day. This is it… a simple study of the fading flowers in front of me.

Fading flowers. New Year's Day 2018.

Fading flowers. New Year’s Day 2018.

As I reflect on the previous 12 months, a variety of emotions rise up in me. Deep sadness for those lost and the space they left in passing. Great admiration for the courage with which friends have faced and overcome challenges, in their health and work and personal situations – both hopeful and inspiring. Ongoing gratitude for the support of friends with my creative endeavours and family with their hands-on help that freed me up to spend a week sailing. And then there are moments that are etched in my memory and stand out, though they only lasted very briefly, as their impact was felt deeply.

There is just one that I would like to share with you. I love to make art, but I also enjoy writing – always have done, but it’s something I do quietly, yet frequently. It was a joy to express my experience and whilst I would love to share with you an image that conveys the magnitude of this moment, I do not have one. This image was taken from a different viewpoint on the following day, so on this occasion, I hope my words will suffice and take you there.

Happy New Year!

The road home

The road home, December 27, 2018.

The road home.

I have been home for a couple of days now, taking it slowly, cleaning, clearing, making space for new things. So easy to simply slip right back into the old routine. Instead, making sure that I sit, read, listen and reflect in the quiet days between Christmas and New Year, rather than distracting myself with busy and city. Alone time. Relishing it. And when I think about the days before Christmas, the anticipation and togetherness, my heart fills. So much love and laughter this Christmas. So grateful. Golden memories. In my mind’s eye, I am back to Boxing Day, when we walked to the top of the fell and were gifted a 360 view over Windermere with a rainbow that stretched from the edge of the lake to the closest tree and that moment when clouds parted, revealing snow-capped mountains in the distance and small boy excitedly followed the little old dog we had carried up the hill who was now heading home and big boy smiling, was bathed in the most glorious light and it could have been any day of any year in hundreds, but we were there in the brilliance of that moment and as I had forgotten my camera and refused the suggestion that I return to collect it, I was able to soak up every detail of the moment with my eyes and my heart and hold it there instead of trying to capture it. That constantly changing, yet timeless view spoke directly to my heart and I pondered on the artists and writers inspired by nature’s wild beauty and wanted to stay… or at least return.

It’s in the detail

As I shared in my last blog post, I enjoyed time painting and drawing whilst on holiday recently. I showed you paintings of the sea and drawings of the islands, but what I did not share were the little details that caught my eye and captivated me enough to capture them.

Kioni plantlife growing through the wall

Kioni plantlife growing through the wall

On the island of Ithaca, we moored up in Kioni, a beautiful spot with red-roofed houses built into the hillsides and a feeling of creativity in the air… a pottery and jewellery shops seemed right at home here. It was one of those places where you find yourself dreaming of discovering a little gem of a house to renovate and return to each Summer. In high season, we would have been lucky to find a berth, but in October, we managed to get space on the quay, squeezed in between two other yachts. Here, we wandered the back streets of the picturesque village (or town, I was not sure). Few houses here survived the earthquakes of 1953, but a few interesting ones remained and I took photos of the details of some.

The image above was a snap on my phone. I was drawn to the muted, limited colour palette and the variety of textures. A plant I did not recognise had made its home between the cracks of a wall. Back at the boat, I zoomed in on the photo and worked on a little watercolour inspired by the details.

Watercolour inspired by Kioni plantlife

Watercolour inspired by Kioni plantlife

Little leaves shaped like hearts caught my eye on the path, the little spots on their skin echoing the small stones. It’s the little details like this that draw me in.

Heart-shaped leaf

Heart-shaped leaf

An abandoned house, just a few metres from the beach, beckoned me to its door to take a portrait. I loved the reflection of the trees in the glass that remained and the drape of the curtain through the gaps. The colour palette again, pale and sun-faded, with a hint of its vibrant past.

Abandoned house, Kioni

Abandoned house, Kioni

I just know such places have stories to tell… if only we could hear them! Write one for me about this place… go on.

It’s not just on holiday that such things move me. My phone acts as a visual notebook for capturing such moments and memories, in the woods and on the streets.

What catches your eye and inspires you in the everyday that others may just pass by?

Welcome Autumn

welcome autumnThe weather might still be warm, but the crunch of crisp leaves underfoot stamps out any doubt that Autumn is on its way. How does this time of year make you feel?
It makes me feel like nesting and snuggling up in a ball, but I also want to get out and experience it all.

?I love to witness the changes of season… what starts as a subtle shift in colour… the odd dash of orange around the edges, soon transforms into carpets of gold. Then it rains and the crackle turns to squelch and I start making soups and gathering sticks for marshmallows. I take pleasure in noticing the details.

leafOn Monday, I took time… just a few minutes, but time enough to admire the simple joys of the shifting seasons and to highlight them for passers-by who may have forgotten to stop and look. A simple leaf was my inspiration… fallen in the midst of transformation… part orange, part gold, part green. The shadows too, inspired me.

shadow1 shadow2I found myself noticing shapes I had not previously seen. I drew around them and watched in wonder as what I had co-created with the shadows become something different with the assistance of the slow-moving sun.

How does this time of year inspire you?
What will you co-create with nature?

Draw when you need to de-stress

Tuesday was challenging: a new project; a large group of fresh faces; a tube strike. I made it through. I left home at the crack of dawn to run the first in a series of ten 4 hour workshops for a gallery in Chichester. By the end of the day, I could barely walk, let alone think straight and was having visions of stopping at the first service station for an extended nap in order to safely drive the rest of the way home. Instead, I chose to go directly to the nearest café for a hot chocolate and lemon cake refuel. My intention was also to log on to Facebook to see what people were sharing in the group on the second day of my online creativity course. seeing the posts there prompted me to pick up a pen and add drawing to my refuel stop. Doing something so different from the focus of my day, in a fresh environment, was just what I needed to shift the energy and prepare to hit the road. Art has a habit of doing that for me… art is my de-stresser; my changer of energy. I sailed home, to uplifting music, with a head full of ideas, under dramatic skies. Today, I used art as a meditation… a way of clearing my mind of the clutter of the day. Again, it shifted the energy. In doodling away, my mind flashed back, for the first time in years, to the times when, as a teen, drawing had been my quiet friend, leading me out of one feeling and into another, more comfortable place. The reminder today? To draw when I feel uneasy; to doodle when I need to de-stress; to make art more often as it has so many benefits.

The breakthrough

Three days ago I wrote about The Slump… that dark moment, part-way in, when I question everything. Familiar with this heavy territory, I also acknowledged that “This is often the moment before the breakthroughs happen… when you ride the storm and come out the other side; brighter, stronger.” Last night I felt brighter and stronger than I have felt in a long time. The breakthrough came sooner than I thought.

On Thursday night, having raised my voice too loud, I was suffering from an anger hangover. The term references what Brené Brown calls “the vulnerability hangover”, a term that she coined when she needed a concept that captured that feeling of, “Oh my God! Why did I share that? What was I thinking?” My term “anger hangover” captures my feeling of, “Oh my God! Why did I just shout like that? What was I thinking?” It was one of those evenings when I was over-tired and going over old ground, asking nicely for things to be done to no response and being faced with yet another challenging episode of big boy picking on small boy, when the fuse blew. When all was finally quiet and boys were both in bed, I was still feeling the aftershock of being pushed to my limits and becoming a person I think (wish, hope against hope) I am not. I feel it in every inch of my body… the tension, the regret, the shrinking into myself, the desire to undo, the reality of what I become when I forget, for an instant, to discipline calmly or to walk away. It was eating me up and I had to get it out, so I turned to my art. I did not know where I was going, so I followed my instinct, went to the pen drawer and picked up the thickest, blackest pen I could find. It was how I was feeling. I rolled out a length of brown wrapping paper and taped it to the table. There is something about the shade and the texture of that paper that makes me feel happy and safe. It is comforting in a way that I cannot describe. I picked up a pencil, lay my head on the paper I traced my profile. It came naturally to me. I still had no idea what I was doing, just feeling my way. I traced another profile… my other side, making two faces staring blankly at each other. With the thick black marker I traced each profile. One appeared a little softer… the me I would like to be. The other I attacked with my pen, drawing in jagged lines, up and down, angry with sharp edges. I scribbled areas of black at the back of my neck where the tension lay and in my chest where I felt the embarrassing pain of the me I had been in that moment and the spikes and lines that came out from my throat were expressions of what I had done. It felt good, letting it all out. And when it was done, it was done. I had released the tension, expressed the feelings and the fear. 

I then turned my attention to the other face. I felt calmer; my edges softer and that came out in the pen, the fluid lines, the flowing, curling waves of the me I wanted to be. It was that simple. I was redressing the balance. I drew out the me I wanted to be and in doing so I became calmer in the moment.

Redressing the balance: how it was and how it should have been

Late Friday afternoon, I listened to an audio recording by Laura Hollick in which she explained how she had discovered a technique which had enabled her to heal her skin and grow in confidence; a technique which she herself had created, just by feeling her way and going deeply into her art. Hearing her describe the technique and listening as she shared this way of working, I realised that I had to share what I had done the previous night for myself. So, last night, when two friends arrived for my evening workshop, we first went through a few tried and tested techniques… playful ways to step out of your comfort zone and let go of the idea of making perfect art; ways to immerse yourself in the creative process and enjoy the pure pleasure of simply making art. And then, I took the leap of sharing what I had tried the night before. We traced our profiles onto paper and I asked each of my friends to think of something that was a challenge for them right now… to go deeply into that feeling and let it out on the paper. I did the same.

In creating my negative head, I could feel myself scratching away with pastel on paper, rubbing and smudging, blurring and spilling every ounce of negative feeling into the dark-edged drawing that was my fearful self. There were glimmers in there too… fighting the dark, but overall this image represented the fear of a beige existence, tied to a job I do not love, a reality that is far from my own right now, but a possibility that seems to be raising its head from time to time. I resist and resist and even thinking about it I feel the darkness descend, starting right in my eyes and moving up over my head and down my neck, into my back, shoulders and beyond. It comes from the fact that I do not have a steady, stable income. I am not in reliable employment, I am feeling my way, just getting by, and how does that equate with a life in which I have a mortgage and two children depending on me? But I trust in the process. I believe wholeheartedly (and some might say naively, but they may never experience) that this exciting and terrifying ride will lead to freedom. And when I say “freedom”, I mean freedom from the cage of other people’s expectations. I mean freedom from being chained to a life that is not your own. I mean the freedom to be me… the me I am yearning to be.

And so, in the other head, I created my colourful life. I filled it with layers of greens and blues and let the brightness of all that I wish for and all I am working towards shine, and it felt good and it flowed freely and easily and I rose above my shadow and felt liberated and ready to take on the world. All of the negativity had slipped away and I was left with a feeling that this was the way forward and I only wished that we had more time.

We shared our stories… the challenges and the desired outcomes and described how we had represented these feelings and how it felt to be creating and sharing amongst friends.

It was a powerful releasing and allowing…a shedding… a letting go… a way of tapping into our emotions and creating a new reality… a brighter future being mapped out right there and then on paper with our own hands. And in sharing we were connecting.

My immediate thought was that a whole day of doing this kind of thing could be so worthwhile… encouraging and allowing people to make imperfect art for the sheer joy of creating and using art as a way of tapping into our emotions and letting go and sharing the story with new friends.

So this is my path. For now, I will continue to map out my own emotions. I will empty the negative into my art and create the positive new. This is my breakthrough. This is my path out of The Slump and not only this one, but any more that await me just over the horizon too.

Letting go: the fear and the brighter path

I would love to know what big breakthroughs you have experienced following a slump. Have you used your art as a path out of the darkness and into the light?
Please feel free to share your experiences here…

With love,
Julia x