Challenge your artist’s block and prove your limiting beliefs wrong

Last week I asked a simple question on my Facebook page: “What is your biggest block when it comes to making art?”

A flurry of responses ensued as friends answered and commented, acknowledging, discussing and reflecting on the fears and comments of others. My curiosity about the blocks other people experience stems from a desire to understand and overcome my own. There are days when I can paint freely, with little thought for outcome and others when, without even knowing it, I stand in my own way when it comes to making art.

Some of the most talented people I know responded that they didn’t feel good enough or experienced, from time to time, a lack of self-worth. For most, it was a lack of time in the first place, but several people also mentioned an ebb and flow of energy and inspiration or enthusiasm, something which, it was also noted, did not correspond with available time. For many years, I had noticed a spike in ideas and creative energy that would occur at periods when I was tied up in other projects that allowed little time to make art. Then, as the projects came to an end and I had time free to make art once again, the energy and ideas were all gone and when I sat down to create, I was blocked. I recognised this as a pattern.

For many, myself included, a disconnect between the images we are able to create in our minds and on paper is a barrier. It was recognising this and moving through it that allowed me to make progress with my art. Abandoning any idea of what I was trying to achieve and allowing my art to just flow brought an enormous sense of freedom to my art-making. It was not quality, necessarily, that was an outcome of this, but it sure helped with the quantity of work I was producing. As I had no intention of exhibiting and was creating just for the joy of it, quality did not matter, but with practice comes learning and progress. I talked about letting myself off the hook last Summer.

So how do you focus on the process and not get hung up on the end result? Sometimes it can be a matter of “just” creating… of making art even (or especially) at times when we feel least like doing it. Part way through writing this post, I became aware that I had not painted for a few days and in spending time writing, I was choosing this over my art. I made a conscious decision, right then, to step away from the computer and paint. I set the alarm for ten minutes to see what I could create in that short space of time with no intention other than to put brush and paint to paper and let go. The image at the top of this post was the outcome. As I painted, I observed what was going in on my body and in my head. At first, I felt relaxed, happy that I was painting again, but just five minutes in, I was starting to feel tense as I became aware that I was judging my own creation and had to make a concerted effort to breathe through it and let go of an attachment to outcome again. “It does not matter what this looks like” I told myself, “I will share it anyway to illustrate my post and my point. I will paint through this feeling.” As I painted through it, I allowed myself to feel the flow of the brush, to enjoy the colours, to paint regardless of my own thoughts or judgements. Ten minutes in, as the alarm went off, I decided to continue… not because I was happy with the outcome or because I was determined to improve it, but because I was in flow… I was painting and enjoying it.

Just starting can be a block in itself sometimes. The effort needed to gather the necessary materials and begin can seem too big. This was another point raised in the Facebook discussion. When I do make the effort to make art, I am rewarded more often than not, and I find myself asking, “why don’t I do this more often?”. The answer is to have your materials close at hand, so that starting is made easier.

Art is a form of self-expression. It is a way of connecting with ourselves. We can use art to unwind or to process the things we cannot put into words. Some use art to help focus and I have found myself, in recent weeks, doodling on a page as I listen to someone as I find it helps me concentrate. So why then do we feel guilty about making art as some of us do? We feel that there are other things we should be doing, or worry that others think we should be doing something else instead. Freedom of expression is vital to our health and well-being. You deserve to spend time doing things that nourish your mind, body and spirit. Art saves lives.

What can you do to overcome your blocks and shift the energy?
If art is important to you, make art.

Acknowledge and address your patterns.
Challenge your limiting beliefs; prove them wrong…
If you are afraid of the blank page, go pick up a newspaper and make art like Austin Kleon. If you think you don’t have time, switch off the computer or put down your phone right now, go pick up a pen (biro, pencil, whatever, the tools are not important) and draw something (anything, even a doodle) in the next ten minutes. Go show someone. Ask them to do the same. Make art together.
How your art looks is not as important as how it makes you feel.
If art makes you feel good, you deserve to make art.

Please do share your thoughts, feelings, experiences and even your art below.
And if you need a creative kick start or a little bit of hand holding as you challenge those creative blocks, please check out my upcoming course.
With my love,
Julia x

Let everything happen to you

“Let everything happen to you
Beauty and terror
Just keep going
No feeling is final”

Rainer Maria Rilke

What came when I let go... Flower hands

And so I am reminded, again and again, to let go of outcome.

Tonight, I picked up my brushes to paint my hands. I had spent the day imagining this work I wanted to create. I had honed the vision over several hours of work, errands and school runs. I had plotted the colours; planned the method; pictured the end result in detail. Was it any wonder then that what I had imagined did not come. Why was it a surprise that in this creating of perfection in my mind, something would be lost in the making? Because I forget; we all forget. I think I know better; think it will be different this time. It was not. It never is… and this is what I am learning. That this pattern of perfection is an illusion that I have to let go of time and time again in order to release; let go; create freely from the starting point of an empty mind.

And so I go on… delving deeper, moving away from the desire to create something “pretty” and moving towards a truer something… a creation that reflects my inner world; my battles and my victories; my challenges and joys; my darkness and my light.

And so I go on…
And I will remind myself again (and again)…

“Let everything happen to you
Beauty and terror
Just keep going
No feeling is final”

The breakthrough

Three days ago I wrote about The Slump… that dark moment, part-way in, when I question everything. Familiar with this heavy territory, I also acknowledged that “This is often the moment before the breakthroughs happen… when you ride the storm and come out the other side; brighter, stronger.” Last night I felt brighter and stronger than I have felt in a long time. The breakthrough came sooner than I thought.

On Thursday night, having raised my voice too loud, I was suffering from an anger hangover. The term references what Brené Brown calls “the vulnerability hangover”, a term that she coined when she needed a concept that captured that feeling of, “Oh my God! Why did I share that? What was I thinking?” My term “anger hangover” captures my feeling of, “Oh my God! Why did I just shout like that? What was I thinking?” It was one of those evenings when I was over-tired and going over old ground, asking nicely for things to be done to no response and being faced with yet another challenging episode of big boy picking on small boy, when the fuse blew. When all was finally quiet and boys were both in bed, I was still feeling the aftershock of being pushed to my limits and becoming a person I think (wish, hope against hope) I am not. I feel it in every inch of my body… the tension, the regret, the shrinking into myself, the desire to undo, the reality of what I become when I forget, for an instant, to discipline calmly or to walk away. It was eating me up and I had to get it out, so I turned to my art. I did not know where I was going, so I followed my instinct, went to the pen drawer and picked up the thickest, blackest pen I could find. It was how I was feeling. I rolled out a length of brown wrapping paper and taped it to the table. There is something about the shade and the texture of that paper that makes me feel happy and safe. It is comforting in a way that I cannot describe. I picked up a pencil, lay my head on the paper I traced my profile. It came naturally to me. I still had no idea what I was doing, just feeling my way. I traced another profile… my other side, making two faces staring blankly at each other. With the thick black marker I traced each profile. One appeared a little softer… the me I would like to be. The other I attacked with my pen, drawing in jagged lines, up and down, angry with sharp edges. I scribbled areas of black at the back of my neck where the tension lay and in my chest where I felt the embarrassing pain of the me I had been in that moment and the spikes and lines that came out from my throat were expressions of what I had done. It felt good, letting it all out. And when it was done, it was done. I had released the tension, expressed the feelings and the fear. 

I then turned my attention to the other face. I felt calmer; my edges softer and that came out in the pen, the fluid lines, the flowing, curling waves of the me I wanted to be. It was that simple. I was redressing the balance. I drew out the me I wanted to be and in doing so I became calmer in the moment.

Redressing the balance: how it was and how it should have been

Late Friday afternoon, I listened to an audio recording by Laura Hollick in which she explained how she had discovered a technique which had enabled her to heal her skin and grow in confidence; a technique which she herself had created, just by feeling her way and going deeply into her art. Hearing her describe the technique and listening as she shared this way of working, I realised that I had to share what I had done the previous night for myself. So, last night, when two friends arrived for my evening workshop, we first went through a few tried and tested techniques… playful ways to step out of your comfort zone and let go of the idea of making perfect art; ways to immerse yourself in the creative process and enjoy the pure pleasure of simply making art. And then, I took the leap of sharing what I had tried the night before. We traced our profiles onto paper and I asked each of my friends to think of something that was a challenge for them right now… to go deeply into that feeling and let it out on the paper. I did the same.

In creating my negative head, I could feel myself scratching away with pastel on paper, rubbing and smudging, blurring and spilling every ounce of negative feeling into the dark-edged drawing that was my fearful self. There were glimmers in there too… fighting the dark, but overall this image represented the fear of a beige existence, tied to a job I do not love, a reality that is far from my own right now, but a possibility that seems to be raising its head from time to time. I resist and resist and even thinking about it I feel the darkness descend, starting right in my eyes and moving up over my head and down my neck, into my back, shoulders and beyond. It comes from the fact that I do not have a steady, stable income. I am not in reliable employment, I am feeling my way, just getting by, and how does that equate with a life in which I have a mortgage and two children depending on me? But I trust in the process. I believe wholeheartedly (and some might say naively, but they may never experience) that this exciting and terrifying ride will lead to freedom. And when I say “freedom”, I mean freedom from the cage of other people’s expectations. I mean freedom from being chained to a life that is not your own. I mean the freedom to be me… the me I am yearning to be.

And so, in the other head, I created my colourful life. I filled it with layers of greens and blues and let the brightness of all that I wish for and all I am working towards shine, and it felt good and it flowed freely and easily and I rose above my shadow and felt liberated and ready to take on the world. All of the negativity had slipped away and I was left with a feeling that this was the way forward and I only wished that we had more time.

We shared our stories… the challenges and the desired outcomes and described how we had represented these feelings and how it felt to be creating and sharing amongst friends.

It was a powerful releasing and allowing…a shedding… a letting go… a way of tapping into our emotions and creating a new reality… a brighter future being mapped out right there and then on paper with our own hands. And in sharing we were connecting.

My immediate thought was that a whole day of doing this kind of thing could be so worthwhile… encouraging and allowing people to make imperfect art for the sheer joy of creating and using art as a way of tapping into our emotions and letting go and sharing the story with new friends.

So this is my path. For now, I will continue to map out my own emotions. I will empty the negative into my art and create the positive new. This is my breakthrough. This is my path out of The Slump and not only this one, but any more that await me just over the horizon too.

Letting go: the fear and the brighter path

I would love to know what big breakthroughs you have experienced following a slump. Have you used your art as a path out of the darkness and into the light?
Please feel free to share your experiences here…

With love,
Julia x