I love it when something I share touches people and provokes a response. My blog post this week had been a long time coming, but I was glad to discover that it hit a nerve.
I had become a little too wrapped in things other than creating… you know, the life stuff… and had taken a step away from my art. Was it any wonder then, that I was feeling disconnected? Disconnected from myself; disconnected from my business; all because I had become temporarily disconnected from my art. How easy it is though, (as my artist/illustrator/cartoonist friend Richard commented on the last blog post) to get so wrapped up in the things we think we should be doing, but feel too much like work, that we forget to play. So play we must… and in doing so we reconnect. Not only with the heart of our business, but with others as well as we share our stories.
As well as sharing my stories, I love to share my art… on the blog and on the streets. Making art out in public is part of my process and many of my pieces have a connection to the place in which they are made. They are there for a reason, though not always obvious. Photographing the work, then letting it go are the following stages.
My talented friend Cecile (whose eccentric, eclectic videos help people learn fruity French) asked a question on the blog. “I love your mythical creature.” she said. “How could you bear to leave it behind?”
This making art and leaving it behind was a subject that had come up on the day of making as I had a friend (another Julia) along with me, creating a little film as I worked on my art. We had talked about making art and allowing it to have a life of its own after the making is done. I commented that in decluttering my home, I had found it hard to reconcile the making of more and more art that I did not intend to sell with the clearing of my home. That was until I decided to let go of much of it.
Art, for me, is a form of mindfulness. It is about being present and immersed in the moment. It can be as much about the process as the finished product, if not more so. It fills a need; a desire to be engaged in something I love with no fixed outcome. It allows me the freedom to let things – ideas / emotions / experiments – rise up, be worked on and worked through. It is liberating. But what is even more liberating is the letting go.
Allowing the work I make out in public to have a life after I leave it behind is vital.
As a little girl, I used to draw pictures of horses; every day, for a very long while. Occasionally, I would put a special drawing on top of my wardrobe in the secret belief, that one day, if I wished hard enough, the horse I had drawn would come to life and I would wake to find him in my garden. Of course, I don’t need to tell you that this never happened, but there was something about leaving my Thames Serpent behind on the South Bank beach that rekindled this dream and as I replied to Cecile, “I was secretly hoping that he would be brought to life when the tide came in.”
I never know what will happen to my work when I walk away from it. The best I can hope is that it makes someone’s day… or at least makes someone stop and think. Much of my chalking in my local environment is done with that intention… words to prompt thoughts; perhaps actions; certainly observations.
I let my environment lead me. I rarely know what I will create until I come to a place and start making. It depends what comes up for me and that could be anything – from the shadows the sun has created or the detritus washed up on the beach. I create; I photograph (in order to record it and share it), then I let go quite happily. This may mean that things remain for a month or so (in the case of Summer chalkings on wooden fence panels at my local station) or are washed away in a matter of minutes.
Whatever happens next is all part of the process.
If you would like some support getting started with your art or taking a project to the next level, get in touch and let’s talk about it. I will soon be offering mentoring sessions both in person and on Skype and workshops will start again soon.
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