Let everything happen to you

“Let everything happen to you
Beauty and terror
Just keep going
No feeling is final”

Rainer Maria Rilke

What came when I let go... Flower hands

And so I am reminded, again and again, to let go of outcome.

Tonight, I picked up my brushes to paint my hands. I had spent the day imagining this work I wanted to create. I had honed the vision over several hours of work, errands and school runs. I had plotted the colours; planned the method; pictured the end result in detail. Was it any wonder then that what I had imagined did not come. Why was it a surprise that in this creating of perfection in my mind, something would be lost in the making? Because I forget; we all forget. I think I know better; think it will be different this time. It was not. It never is… and this is what I am learning. That this pattern of perfection is an illusion that I have to let go of time and time again in order to release; let go; create freely from the starting point of an empty mind.

And so I go on… delving deeper, moving away from the desire to create something “pretty” and moving towards a truer something… a creation that reflects my inner world; my battles and my victories; my challenges and joys; my darkness and my light.

And so I go on…
And I will remind myself again (and again)…

“Let everything happen to you
Beauty and terror
Just keep going
No feeling is final”

The breakthrough

Three days ago I wrote about The Slump… that dark moment, part-way in, when I question everything. Familiar with this heavy territory, I also acknowledged that “This is often the moment before the breakthroughs happen… when you ride the storm and come out the other side; brighter, stronger.” Last night I felt brighter and stronger than I have felt in a long time. The breakthrough came sooner than I thought.

On Thursday night, having raised my voice too loud, I was suffering from an anger hangover. The term references what Brené Brown calls “the vulnerability hangover”, a term that she coined when she needed a concept that captured that feeling of, “Oh my God! Why did I share that? What was I thinking?” My term “anger hangover” captures my feeling of, “Oh my God! Why did I just shout like that? What was I thinking?” It was one of those evenings when I was over-tired and going over old ground, asking nicely for things to be done to no response and being faced with yet another challenging episode of big boy picking on small boy, when the fuse blew. When all was finally quiet and boys were both in bed, I was still feeling the aftershock of being pushed to my limits and becoming a person I think (wish, hope against hope) I am not. I feel it in every inch of my body… the tension, the regret, the shrinking into myself, the desire to undo, the reality of what I become when I forget, for an instant, to discipline calmly or to walk away. It was eating me up and I had to get it out, so I turned to my art. I did not know where I was going, so I followed my instinct, went to the pen drawer and picked up the thickest, blackest pen I could find. It was how I was feeling. I rolled out a length of brown wrapping paper and taped it to the table. There is something about the shade and the texture of that paper that makes me feel happy and safe. It is comforting in a way that I cannot describe. I picked up a pencil, lay my head on the paper I traced my profile. It came naturally to me. I still had no idea what I was doing, just feeling my way. I traced another profile… my other side, making two faces staring blankly at each other. With the thick black marker I traced each profile. One appeared a little softer… the me I would like to be. The other I attacked with my pen, drawing in jagged lines, up and down, angry with sharp edges. I scribbled areas of black at the back of my neck where the tension lay and in my chest where I felt the embarrassing pain of the me I had been in that moment and the spikes and lines that came out from my throat were expressions of what I had done. It felt good, letting it all out. And when it was done, it was done. I had released the tension, expressed the feelings and the fear. 

I then turned my attention to the other face. I felt calmer; my edges softer and that came out in the pen, the fluid lines, the flowing, curling waves of the me I wanted to be. It was that simple. I was redressing the balance. I drew out the me I wanted to be and in doing so I became calmer in the moment.

Redressing the balance: how it was and how it should have been

Late Friday afternoon, I listened to an audio recording by Laura Hollick in which she explained how she had discovered a technique which had enabled her to heal her skin and grow in confidence; a technique which she herself had created, just by feeling her way and going deeply into her art. Hearing her describe the technique and listening as she shared this way of working, I realised that I had to share what I had done the previous night for myself. So, last night, when two friends arrived for my evening workshop, we first went through a few tried and tested techniques… playful ways to step out of your comfort zone and let go of the idea of making perfect art; ways to immerse yourself in the creative process and enjoy the pure pleasure of simply making art. And then, I took the leap of sharing what I had tried the night before. We traced our profiles onto paper and I asked each of my friends to think of something that was a challenge for them right now… to go deeply into that feeling and let it out on the paper. I did the same.

In creating my negative head, I could feel myself scratching away with pastel on paper, rubbing and smudging, blurring and spilling every ounce of negative feeling into the dark-edged drawing that was my fearful self. There were glimmers in there too… fighting the dark, but overall this image represented the fear of a beige existence, tied to a job I do not love, a reality that is far from my own right now, but a possibility that seems to be raising its head from time to time. I resist and resist and even thinking about it I feel the darkness descend, starting right in my eyes and moving up over my head and down my neck, into my back, shoulders and beyond. It comes from the fact that I do not have a steady, stable income. I am not in reliable employment, I am feeling my way, just getting by, and how does that equate with a life in which I have a mortgage and two children depending on me? But I trust in the process. I believe wholeheartedly (and some might say naively, but they may never experience) that this exciting and terrifying ride will lead to freedom. And when I say “freedom”, I mean freedom from the cage of other people’s expectations. I mean freedom from being chained to a life that is not your own. I mean the freedom to be me… the me I am yearning to be.

And so, in the other head, I created my colourful life. I filled it with layers of greens and blues and let the brightness of all that I wish for and all I am working towards shine, and it felt good and it flowed freely and easily and I rose above my shadow and felt liberated and ready to take on the world. All of the negativity had slipped away and I was left with a feeling that this was the way forward and I only wished that we had more time.

We shared our stories… the challenges and the desired outcomes and described how we had represented these feelings and how it felt to be creating and sharing amongst friends.

It was a powerful releasing and allowing…a shedding… a letting go… a way of tapping into our emotions and creating a new reality… a brighter future being mapped out right there and then on paper with our own hands. And in sharing we were connecting.

My immediate thought was that a whole day of doing this kind of thing could be so worthwhile… encouraging and allowing people to make imperfect art for the sheer joy of creating and using art as a way of tapping into our emotions and letting go and sharing the story with new friends.

So this is my path. For now, I will continue to map out my own emotions. I will empty the negative into my art and create the positive new. This is my breakthrough. This is my path out of The Slump and not only this one, but any more that await me just over the horizon too.

Letting go: the fear and the brighter path

I would love to know what big breakthroughs you have experienced following a slump. Have you used your art as a path out of the darkness and into the light?
Please feel free to share your experiences here…

With love,
Julia x

 

Letting myself off the hook

Letting myself off the hook from Be Creative Daily on Vimeo.

So here I am, enjoying this freedom and feeling a fresh sense of optimism as though things are slowly slotting together and making sense, piece by piece, day by day, when I stumble upon the work of the artist Jonathan McCree.

McCree’s paintings spoke to me in a very immediate way, as art occasionally does, on a level I find it hard to explain, as though there is some sense of familiarity, like a deja vu or ancient knowing… a heartfelt connection that cannot be described.

So I dug a little deeper, found out a little more and discovered a video of the artist talking about his work. It is ten minutes long, but I have had it on watch and rewind, watch and rewind, watch…

And now, I understand exactly why his work spoke to me. I know why this art came up on my radar right now. In the artist’s words:

“Usually when I work on anything, I am trying to devise a strategy for unknowing something. It’s much more interesting for me if I don’t know what I’m going to do, so I tell myself all the way through, “I don’t know, I don’t know” so it’s almost like a mantra. And for me, the strategy of doubt and constant questioning or deferral of what the project is about is usually the best way to end up somewhere and I don’t know at this stage where I will end up.”

This is where I am. This is what I feel. This is what I trust.

When the artists talks about his approach to his work he is speaking about something that can (and indeed should) be applied to almost all aspects of our lives… letting go and allowing things to unfold.

I started on a collage this morning:
symmetry
colour
pattern
nature
It is inspired by Jonathan McCree and I will developing this further.
When I do, I will share it here.

I want to see where the “don’t know” takes me, both in art and in life.

It is an interesting place to be… I feel like I am on the edge of something.