Three unexpected gifts

detour planThis week, I had a plan. There were things I had to do, things I wanted to do and things I might do if I had the time and the inclination. I had an idea of what would fit in when, but that didn’t quite happen.

Having worked over the weekend, I decided to go to the National Portrait Gallery on Monday between school runs for their Portrait of the Day talk. I had been keen to attend one of these lunchtime talks for a while and this one was advertised on the website as starting at midday (I checked before leaving), but when I arrived, it had been cancelled. What? I had gone all that way for nothing? Hmm… time for a re-frame.
The gift…? An afternoon in the city to do as I wished. I took myself for a nice hearty soup (I would likely have skipped lunch otherwise) and then returned to the NPG to see the Taylor Wessing Photographic Portrait Prize exhibition before hopping back home on the train.

On Wednesday, I was due to work at the art magazine I mentioned in my post last week, but on arrival, found friend and colleague Tasha standing on the doorstep looking puzzled. Key in hand, she was unable to get in. The door had been bolted from the inside and our Editor was away at an art fair in New York. We made a few phone calls, asked the neighbours if they had a key for the other door, but no luck!
The gift…? An unexpected morning off work. I went home and finished off a BIG piece of art before heading off up to school to run Art Club.

On Thursday, big boy woke with a headache. Another person in the house was not what I had expected. This meant I was unable to go out (without poorly boy in tow) and did not want to be face to screen all day as he would likely want to do the same.
The gift…? One to one time with my son. Small boy and I regularly walk hand in hand between big boy’s school and his… it happens almost daily, but solo time with big son is rare. I did fit in a little bit of work whilst big boy sat with me, which was a gift in itself as when he asked me what I do all day (don’t you just love that question Mums) I was able to explain to him and show him some of what I do and how I do it. We ate a lovely hot lunch together at the table and chatted about lots of things, then retired to the sofa for a while before it was time to go get the little one. A gift of a slow day together.

What unexpected events have thrown you off course this week and caused you to re-think your plans, but could be seen as a gift instead of an inconvenience?

Gratitude Daily begins again on March 2. Join me as I guide you through a 21 day course to create a sustainable gratitude practice that fits into your busy life and helps you focus on the good stuff every day.
The gift…? The next three people to sign up for the course will receive a surprise gratitude gift in the mail.

Following my creative heart

In the month that has passed since I last posted here, I have been exploring a variety of areas in relation to my art and the art of others. I have been following my creative heart, which has led to a month of investigation, experimentation, revelation and celebration.

Vivienne (left) and I in the gallery

On May 1, Vivienne Roberts and I opened our first exhibition of what we hope will become an ongoing creative collaboration of sharing the work of artists often known as Outsiders. The label is a contentious one and for us, the aim is simply to get the art we love and appreciate out into the world and hope that others share the sense of wonder that we feel on encountering these works. I do feel that exploring the works in an exhibition of art that really speaks to you is more of an encounter than a simple viewing. In Face to Face with the Outsiders, our intention was to bring together a combination of Outsider Art and related creations on a theme of portraits and faces. The reaction was good. It was apparent to us, even before we started hanging the show, that certain works were speaking to each other, opening up a dialogue before they had even reached the walls, works of art, face to face for the first time, finding common ground. It was a powerful experience and one we intend to recreate in many forms over coming months and years.

Lady in the woods

In my personal creative work, several things have happened… firstly, I have discovered that I gain enormous pleasure from making temporary works of art out in nature. I delight in walking in the woods, in the finding of the raw materials with which to start, discovering a spot in which to lay them out, making it mine and letting ideas evolve directly from the materials, their shapes and textures, creating freely, playing and exploring as sticks suggest shapes and stones take on new meanings. I also love the fact that someone may stumble across the things I make in any state from just-finished to almost eradicated as nature does her thing, dissolving all that once was.

My studio in the garden

I had been eager to paint on canvas again after a long break, so a sunny weekend afforded me the luxury of setting up a temporary studio in the garden and painting over and old, half-finished work in what, for me at least, was a very new way of working. I squeezed paint directly onto canvas, dragged it with scraps of cardboard, experimenting and exploring with fingers, free from any fixed idea of outcome. How liberating that was!

Canvas copy

A few days later, I tried painting on canvas again. I felt stuck, blocked, came to a stand-still. The difference this time, was that I was using an existing artwork as the starting point, trying to translate the feel of a collaged piece I particularly liked onto canvas. This was the sticking point. I had a fixed idea and could not get into the free-flowing play-state necessary for uninhibited creation.

Making Your Creative Mark

What a relief the following day, when I embarked upon reading Eric Maisel‘s new book Making Your Creative Mark and found words that spoke directly to me about my current challenge. As I turned the pages, I was repeatedly faced with ideas and exercises that shifted my perspective and propelled me forward in my thinking in relation to my creative practice. Dr. Eric Maisel is a creativity coach and author of over 40 books, but whilst I have been aware of his work for some while, this was the first of his books I have read on the subject of creativity. What impressed me most was the variety of practical tools to overcome a wide range of blocks, not only those I am already faced with, but others I have yet to encounter, or have encountered, but not really admitted to being obstacles to my full creative expression. In the book, Maisel presents nine keys that show artists how to unlock their challenges and work through their blocks. From helping creative people “mind their minds” to the importance of a morning creativity practice, Maisels offers practical advice and solutions. His real life examples illustrate both the dilemmas and the solutions from a personal point of view in a way that is easy to relate to. Making Your Creative Mark has already become my handbook on days when I feel stuck and need a little helping hand and I know it is a book I will be recommending to all of my artist friends.

So, after a month away from the blog, I return with a renewed sense of excitement and adventure, knowing that I must move forward from a place of creative freedom, taking risks and not trying to emulate something that has gone before. I feel stronger, armed with the tools to work through my challenges, knowing I am not alone. And on a different level, I feel honoured to have been able to share the incredible talents of artists I admire with an enthusiastic and receptive audience and look forward to doing more such sharing soon.

I would love to hear your stories of how you overcome your personal creative challenges and what led you to follow your creative heart. Please share your experiences in the comments below.

With love,
Julia x