Getting creative on the daily commute

My long train journeys from North London to Chichester have become more regular this month as we move closer to the opening of the Outside In Step Up exhibition in the studio at Pallant House Gallery and the launch of the Outside In Step Up trail, both of which conclude the research project I have been running at the gallery for the past three years.

Since starting work on this challenging, yet deeply rewarding project, I have had the pleasure of working with a wonderful group of artists who have delved deep into the collections at Pallant House to discover artists whose works and stories resonate with their own lives and experiences. Through a process of research and development of their own work, a variety of personal responses are almost ready to be shared in the form of workshop packs, written work, poetry, audio descriptions and photography. It has been a big learning curve for me to run a project so very different to anything I have done before, but that offered me the opportunity to use my existing skills and develop new ones whilst supporting others to explore and grow.

I have not yet found the opportunity to do such fulfilling work close to home, so my work at Pallant House Gallery involves a 3 hour commute each way. The journey is less than weekly, but even so, it is a big chunk of the day and I have long been seeking the best way to pass the time. I have tried a number of things: preparation, relaxation, reading, writing, sleeping, talking to strangers, but few felt as satisfying as my journey home yesterday.

Whilst setting up the studio show, I went through lots of photographs of people taking part in workshops and number of original artworks as well. Seeing all of these pictures of people engaged in creative activity and holding the results of these art workshops in my hands, I was desperate to make something on my journey home. I borrowed some lino cutting tools; acquired a piece of soap and spent my journey from Chichester to London Victoria carving a bar of soap into a little sculpture. I am not yet sure if it is finished, but I am certain that this is an activity I will take up again. The pleasure of doing something creative at the end of my working day; the joy of using that often-wasted time to make a work of art made me feel happy and relaxed.

It also made me think of how I used to spend my long commutes from Arnos Grove to Hammersmith some 15 years ago. Some days I would draw; others I would embroider. The journey was an hour, from my home to my place of work and I regularly found a way to inject some creativity into the beginning and end of each working day. Whilst at Uni, I used to draw… big black marker portraits of underground passengers, attempting to create some sort of cartoon-likeness without them noticing that I had one eye on their face, another on my paper. And notice they did from time to time, but nobody minded and I took great pleasure in making art on the move; being creative in what would otherwise have been dead-time. I filled my workspace with them… my fellow passengers. They inspired some of my ceramics and paintings.

So I resolve, once again, to use those windows of time to get creative. I will draw, make, sew, carve, create.

It only takes a moment to give your creativity a BIG boost.

Have you ever used your commute to create? What did you make?

What are the moments in your day that could be spent creating? How will you spend them?

Keep a little sketchbook and pen in your handbag and create a small sketch whilst waiting for friends to arrive at the café.
Half an hour spent embroidering each way on your commute each day = 5 hours in a week alone.

What will you do?

Carved Soap Sculpture

Carved Soap Sculpture

How lucky I am…

Wednesday is Art Club day at school.

As 3.30pm approaches and I am preparing the room, moving tables and chairs, choosing music and building up to two hours of teaching, I am never quite sure what to expect and feel that delicious combination of nerves and excitement, reminding me that what I am about to do is both a challenge and something I love that means an awful lot for a number of reasons.

Some days, all goes well: I don’t lose my voice; great art is produced; everyone leaves with a smile.
Other days, I am faced with challenges: paint-splattered uniforms; lively mischief; tired, hungry kids.
And sometimes, I leave on a high: inspired by my students; proud of what has been achieved; thrilled by the possibilities.

Today was one of those days… an exhilarating day to remember.
Today, I walked out of school with a smile on my face, thinking HOW LUCKY I AM!
And as I walked, it struck me that some of the things that challenge me are also the things that excite me. I thought about the lively class; their voices raised in playful banter. I thought about the mess they made; the fun they had making it. I remembered the hug from the liveliest class member before he went home; his way of thanking me for the lesson he had so clearly enjoyed. I smiled as I thought about the conversation about art which I had shared with one of the students as he worked a little late, keen to finish what he had begun.

In class, as I tried to keep the volume down, my perspective shifted, in a moment, from frustration to elation… those were excited voices, the laughter and sounds I hear coming from my own children’s mouths as they anticipate some fun activity or outing.

As I tried to tame the mess, something changed in me and I chose to let it flow, to deal with it later, to let the experiments get a little out of hand… what else is art about if not pushing things further; taking things to the next level; playing freely with paint and paper and whatever else is at hand?

Watching the artworks unfold, I became more animated as I acknowledged that all that was happening was all that I wished for… the children were experimenting freely, playing, exploring, creating original works of art and feeling good about themselves, gaining confidence in their abilities and letting go of ideas of perfection.

How lucky I am…
To be working with a group of children who are lively, playful and open to new ideas.
How lucky I am…
To be learning from the children I am teaching; sharing my love of art and watching theirs grow.

Last week, on the boarded up wall of the classroom, we installed a hanging system – a simple hook and eye contraption on which I can display the work and cover the wall. Our art class is now becoming a gallery too… living with art is as important as creating it. I want these kids to share their art with pride.

I love to witness their first experiments with new techniques and see their joy as they realise they did well.
I love to 
see that pride as they spot one of their artworks on the gallery wall and show their parents what they have created.
I love to
watch their eyes light up as I tell them how brilliant they are, how original, how creative.

I love art and it is a privilege to share it.

How lucky I am.


Mixing it up

A beautiful day today.
An Autumn’s on its way day.
That magical mix of sun low in the brightest blue sky and a chill on my bare arms that makes me stand still just a little bit longer to enjoy the feeling. I watch the leaves; their movements somewhere between a slow-dance and a shimmy. Thoughts turn to warming soups, marsh mallows on sticks held over the fire and the comfort that big jumpers and snuggles on the sofa bring as the nights draw in and I feel a sense of excitement. A feeling of something in the air. A sense of wonder.

I have been drawing again lately. Pen and ink on paper, but no ordinary paper; instead that pages of old books. Their particular shade of not-quite-white appeals much more than the plain page. Much easier to start on something that has already been started… the words become the beginning of the work and the image flows from there. It is a 3-way process: the selection of the page; the choosing of the words to retain; the creation of the image around them.

I love drawing.
I also love taking photographs.
There is something about capturing a moment – the feeling of it – the essence of a memory that may otherwise slip away, but can so easily be sparked by just glancing at an image. Or taking the time to study it. It is something I do often – capture a moment and go back to it again and again, reliving the joy of something so special – and usually so simple – that I felt a desire to hold on to. It is therapeutic; uplifting.

And so, on Sunday, I felt the need to mix it up; to experiment; to see how I might be able to take the thing that I was trying to convey in my drawing and add another element to it. I started with the book page drawing; what it said; how it looked and tried to find a photograph that might suitably combine. After a number of unsuccessful experiments, I finally hit on one that (for me, at least) worked. It gave me that heart feeling of a moment like this morning’s in the sun. It captured something for me. It was not “perfect”, but I am glad to say I let go of the idea of perfect some time ago and to have something that I felt in my heart felt good enough.

It is my hope that little images like these might give heart moments to others. It does not happen in every exhibition I visit, nor do I feel it with every work I create, but once in a while, a work of art or piece of music stops me in my tracks as it captures something I cannot put into words. That is what I seek to create and share. That is what I strive for.

Thank you for taking the time to join me here.
If you like what you see, please share it on.

With love,
Julia x

 

Steal like an artist

This evening, feeling creative, but a little unsure which direction to take, I watched Austin Kleon’s TEDx talk, Steal Like An Artist. Take ten minutes to do the same. It’s worth it!

So I took an old idea of my own, borrowed from his, stole a page from an old book and gathered a few other inspirations together in my head to create this…

May I suggest you go watch… and then go create…? You’ll be glad you did!

Three free and easy ways to connect with nature creatively

In our busy lives, it is easy to let the natural beauty that surrounds us pass us by. It is everywhere… in the cracks and in the air, always there, regardless of whether or not we choose to take notice of it. Same goes for creativity… it is just a case of seizing every opportunity and making creativity part of your daily life.

Here’s how it happened for me…

Like many of my friends, I stopped creating right after finishing Uni. The pressure of creating something that ticked all of the required boxes when all I wanted to do was express myself had taken its toll and meant that whilst I still appreciated art in a big way, I no longer felt compelled to make it.

For the years that followed, I always felt creative, but I was not really creating… not drawing, painting, stitching, making… and I felt frustrated at not doing so. But I did not know where to start… the idea of creating freely had been sucked out of me and I had not found my way back to the pre-Uni place where I was creating freely, naturally, on a daily basis.

I tried various things to get back into art again: I signed up for classes; I got together with creative friends for dedicated making sessions; I bought new materials, sketchbooks, paint. Whilst each of these things led to a short flurry of activity, none of them made the desired impact on my confidence in art. The one thing that changed everything for me was this: a simple decision… to give myself permission to create. I told myself this:
It does not matter what you make, just make something. Do it every day for a month and see what happens.

It changed everything.

I gave myself the freedom to make art without worrying about what I was making or why, without being swayed by what anyone else would think, just to make art because I wanted to invite art back into my life. It was not always easy. Some days I did not know where to start, but I still started. Some days I had lots of ideas and sat up until the early hours letting them flow, and others I snatched a few brief moments to do a little sketch whilst travelling on the tube or waiting for my cuppa in a café.

I abandoned all excuses in favour of making art.

But the one thing that really changed for me was seeing (once again… I seemed to do it naturally as a child and teenager, but needed to re-learn) that opportunities to be creative are everywhere… and that every day we are making creative decisions, acting and thinking creatively without even noticing. It is really just about being aware and making the most of those opportunities. Art is everywhere!

There are three things I would like to share with you today. They are three things you may already do, but with extra awareness and attention, they are the keys to appreciation of the simplest of things… to experiencing the magic and wonder of what is all around us every day. Each of these things I practised whilst on holiday in Cornwall last week and will continue to enjoy on a regular basis now back at home.

1. Watch the clouds
Sit back, look up… what do you see…? This is not only a great game to play with kids, but also a wonderful way to stretch your adult imagination on lazy days or for pure escapism during your lunch break. It connects you to nature, the wider world and brings back some of that childlike sense of wonder we could all benefit from experiencing again. We spotted all manner of mythical creatures in the skies over Crantock last week.
Shapes in the clouds

2. Take photographs
Taking photographs, particularly out in nature, encourages us to look at things more closely, or to see them in a different way. I glanced at this wall before taking a photograph, but only saw the face through the camera lens!

3. Make stuff with nature, in nature
Art does not need to be expensive or time-consuming. It can be as simple as a little gathering of what’s around you and assembling it into what is in your head. Here is a windswept me on the beach in Newquay.

Try them today…

Please be sure to let me know how you get on…

I would love to hear of any other simple ways you connect creatively with what is around you.

 

 

 

 

If you enjoyed this post, please share it on. x

A perfect working day

Yesterday, I skipped out of the door, Summer dress on and a big grin on my face. After dropping the boys off at childminder and school, I was off to do what I love.

The morning began with a trip to see an artist friend to discuss a potential exhibition. A visit with John is always a pleasure as new paintings appear on such a regular basis that I see something new every time I go to his art-filled flat. He has decided to let go of his work. He wishes to free up space in his home. A compulsive creator, he is barely able to move in some rooms for art work. We are looking for a venue and funding to exhibit hundreds of works before releasing them out to the world, to new homes, to begin new lives.

Popping in on a friend round the corner, I was taken round the other corner and introduced to a chap who runs a cafe with two wonderful empty walls. He is installing a hanging system and will soon be seeking art to fill that space. A lively new venue for art. It is exciting to have a few little potential exhibition spaces in mind. Come September, I should have little windows of time to go back to curating and look forward to filling some already buzzing places with inspiring art.

In the afternoon, I met with my Step Up researchers at the Royal Academy of Arts. Six artist researchers are working with an audio describer to create an audio tour for an upcoming show at Pallant House Gallery. I am in my element… leaning new skills in a wonderful Museum with fabulous people.

I slotted a little visit to Child Hood – a Kids Company exhibition – into a window between  meetings in town yesterday. I was moved, inspired and filled with all manner of thoughts and emotions that are rarely raised in me during art experiences. These thoughts may make up a future post. I was filled with ideas for the school art club and was reminded of the great healing power of art. Many of the children whose work was exhibited here have had lives you would not wish to imagine, yet they have created art that goes beyond words. If you have the opportunity, I urge you to go. Experience if for yourself, but be sure to take a hanky!
My working day was chaotic, but fun. Art, artists, trying to make a little bit of difference where I can and bring in some £ at the same time. It’s a challenge, but one that I enjoy! My group and I got to see behind the scenes at the R.A. school. I felt so privileged. We walked the corridors with eyes wide and gained special entry into the iconic Life Room, unchanged from its inception in the eighteenth century and normally only accessible to students of the Royal Academy. It was here that celebrated artists such as Turner and Constable would have sat.

Life Room at the Royal Academy Art School

Summer had passed by the time I left the Royal Academy and so, in my Summer dress and sandals, I stepped out into puddles of rain and took a brisk walk to just north of Oxford Street for a glass of wine and a catch up with a curator friend. His flat was almost empty. Packed up as he is decamping to Trinity Buoy Wharf; a thriving creative community which exists on the opposite side of the Thames to the 02.

Anticipating a great day, I had posted my gratitude list and returned home satisfied with a good day’s work and determined that days like these should be more frequent in my working life as I move back into the world of regular employment, albeit on a freelance, free-range basis.

What would your perfect working day be? What would you be doing? Where would you be? Who would you be working with? How would you feel?

Yesterday came close to being mine and it sure felt good.

Spend a moment dreaming up your ideal working day. Live it in your head.
What single, small step could you take right now towards making that happen?

Here’s to working days like these.

Awareness is the first step

I realised something this evening: I have been working on my creative vision this week, but not on my art.

As soon as I became aware of this, I stopped what I was doing and made art. Just something small. A little postcard. A collage. I did not spend long. The distractions are a part of the bigger picture… small, but important steps towards a free-range career that allows me the liberty to create, inspire and spend time with my boys. But art remains the focus.

What mattered most this evening was that I did make time for my art. A while back, I would have let it slip. I would have acknowledged the importance of art, but I would also have told myself “you don’t have time,” or “it doesn’t matter, you can do it another day.” No more. The awareness that I had been putting my art off, led to immediately giving it top priority again. I did not make excuses, I just made art.

This evening, the Fear was not there.

Have you been putting off something that is really important to you?
What can you do right now, to change that… to give that thing priority again?

Fear of the unknown

After my last post on Fear, I was faced with a dilemma this week. Small boy asked me to do something that scared me. It was a simple request: to go on the “big roundy roundy slide” with him at the indoor play centre. My first reaction was to say “no”, but then what would I be teaching him?

The “big roundy roundy slide” has always frightened me. I went on it once, reluctantly, with big boy some years back, but have actively avoided it ever since. However, having made a vow not to let Fear hold me back, I agreed to go with him.

It may seem silly to you, but sitting at the top of this slide, watching little children throw themselves fearlessly into a black hole over and over again, I wanted to know why I could not. I told small boy that I was feeling a little bit frightened and asked him why he did not want to go on his own. He was frightened too, he said, but unlike me, the idea of going on the “big roundy roundy slide” excited him as much as it frightened him and, most importantly, he wanted to overcome his Fear in order to experience the slide. How could I refuse? Small boy promised to keep me safe. I asked him to give me a moment. I told him that I would go with him, that we would keep each other safe, but that I needed a moment first.

So I sat there for a moment and tried to understand my Fear. In my head, I asked myself what I was feeling. It was Fear, but of what? Fear of the unknown; Fear of getting hurt. Those were the only excuses I could think of for not stepping up and sliding down. The feelings seemed silly to me, but also very real.

Would I go too fast? would I bump my head or my elbows on the way down? The only way to find out was to try it. So I sat small boy on my lap and we launched ourselves into the twisting tunnel of the slide. And we slid, very, very slowly downwards… until half way when we suddenly seemed to speed up for a moment before stopping somewhere short of the end. I had thought we would whizz down at a much faster speed. I thought we would twist and spin and bump heads and knees and elbows. I though we would come shooting out of the dark into daylight at the end of the tunnel. But no, all of my expectations were wrong.

The clothes I was wearing slowed us down. The drag of the plastic on my bare feet caused a small friction burn near my ankle, but the sense of achievement at having faced my fear and come out of it in one piece with a beaming small boy was worth it. And now? I wanted to go again. I wanted to show him (and myself) that I could do things I was scared of and that it was OK. I wanted to go faster. I wanted to enjoy the Fear. I wanted to beat it and turn the Fear into FUN! So, after a few deep breaths, we climbed up and we went again. I tried to push us faster, tried to keep my feet tucked in, tried to enjoy the ride. We went a little quicker this time. I knew what to expect, so the Fear was only of the known…  of hurting my foot. And I did hurt my foot again, but I promised him we would return another day, with socks and slippier clothes and that maybe we would both try going on our own next time.

So what did I learn that I could pass on to my boys? I was reminded that Fears often come down to expectations… we are afraid of what we think might happen… and that Fear can paralyse us. But these expectations are rarely realistic. If we put those expectations aside, the Fear has less power. If we embrace the unknown and look at what appears to be a frightening situation more as a finding out, rather than an expecting… approach it as an adventure and allow ourselves to become excited by the possibilities instead of being halted by the expectations, there is potential there. If we consider the Fear as an opportunity for growth, we give ourselves the chance of getting the most out of a situation.

So next time I am faced with the Fear, whether in relation to my creativity or any other area of life, I will ask myself: “What I can learn from this?”
I will try it and see how I can grow.

If you could embrace the Fear of creating and take yourself on an Art Adventure, what would you do? Where would you go? What would you learn? How could you grow?

No more excuses

After yesterday’s post on The joy of painting, I received a comment which prompted me to think in more depth about why I had not started painting sooner.

“I guess it’s the outcome and what others think that might be a big part of the Fear that keeps people from painting.”

This Fear is something I have been talking about, thinking about, reading and writing about a lot lately. Fear plays the biggest part in what keeps us from being true to ourselves Fear stops us from doing things we would love to do; prevents us from moving forward. What if we could live life without this Fear?

Fear, of course, has its place. Fear stops us from doing stupid things; keeps us from harm.
But without Fear…? I think about all of the things I would have done long ago. I think of the all the things I have wanted to do and the excuses I have made for not doing them. We all do it. I know I am not alone. Maybe thinking about what I might have missed; considering some of the opportunities I let pass me by; wondering about some of the things I might have experienced or achieved had I been brave enough to take the leap will spur me on to push past the Fear next time I start making excuses. This may sound as though I have many regrets. I do not. I wonder, yes, but I do not regret… I have always made choices based on my circumstances, experiences and abilities at the time. Now, I choose to put the Fear away.

Painting is a big breakthrough for me. I had put it off for so long, confining my painted creations to postcard size, with a tiny palette of watercolours as my tools. I made excuses: I can’t paint because I don’t have the space; I can’t paint because I don’t have time; I can’t paint because… well I never actually said “I can’t paint because I’m afraid”, but I was. I was afraid that I would not like what I created; afraid that others would not like what I painted; afraid that I would feel like a failure if I tried and… well, failed. My mind was always filled with ideas when I was super-busy, but when I had a moment to myself, the ideas evaporated, or seemed ridiculous, too ambitious, or too boring.

The truth was that I was afraid to paint big. I was afraid to acknowledge how important art is to me and it was the very fact that it is so important was exactly what had kept me from doing it for so long. The excuses of no time, no space, no inspiration seem silly now that I am acknowledging the importance of art in my life. I can spend 20 mins painting instead of aimlessly trawling the internet before I go to bed… and that 20 mins often becomes half an hour. I can do a very large painting with very little space, just by taping a big sheet of paper to a flat wooden board or a wall. It does not matter if I do not have a fully formed idea of what I am doing before I start. In fact, it is better just to start without an idea.

 And it does not matter what emerges, what matters is that you are doing it!

If something is important to you, you can make time and space for it, however small that time or space may be… there is always a place for it.

So, I leave you today with my artist’s manifesto and I hope that you will create your own manifesto… a contract with yourself… a promise to do the things that are important to you and not let fear hold you back any longer.

Artist’s manifesto
Art is of great importance to me
I will make space in my life for art
I will live a multidimensional, colourful, creative life
I will explore every form of expression that interests me
I will no longer let Fear hold me back

Right, what else have I been putting off because I am afraid… and when can I start?

The joy of painting


Brushes, paint, big paper, a pot of water, masking tape, a large piece of wood… these have been my necessary items this past week or so as I have been painting again. Painting big, painting happily, painting often, painting indoors, outdoors, in the morning, evening, late at night.

As the 30 Day Challenge drew to a close at the end of May, the need to create and post here on a daily basis became less urgent. The word “challenge” became less relevant. Finding little pockets of time to create became more natural. Art was becoming a habit again.

With the target of making and posting every day, there was a certain pressure to create. There was a pressure to think of something, pressure to do something, pressure to share it. Whilst that pressure meant that I was fulfilling my target, it also meant late nights, little sleep and what was produced was sometimes forced, not always natural, created from a “must do” rather than “want to”. But the great thing about that pressure was that it made me consider art on a daily basis. It forced me to make time to create. If pushed me into making space for art in my life. And that pressure worked. Now, free from the constraints of daily posting, I find that I want to create. I want to make time. I want to draw, paint, cut and collage. And so I do. The little opportunities to create are now more obvious to me. I seize these little moments to do what I can when I can. If I am out, I carry small paper and pen. If I am home, all that I need is close at hand. Waiting for my coffee to arrive at the café, I have a few moments to sketch a little scene. In that quiet hour after boys’ bedtime and before mine, I turn away from the computer, tape my new big paper to my wooden board and I paint. Art has become a habit. A good habit.

The thing that is missing now is my own voice. I am aware, looking back at the work created over the past couple of month, that there is no clear style to my work. I admire those artists who have a clear voice… a definite stamp of originality… a certain something that marks them out. I like to be able to look at a piece and say, “ah yes, that’s by…” and I am struggling to find my own voice.

No… struggling is not true. It does not feel like a struggle. At the moment, it feels like a journey. I am on a journey to find my own voice. Step by step. Some days, I have a clear idea of what to create… but these days are rare. Very rare. I have realised that this is a good thing. Letting go of expectations has freed me from disappointment at my inability to create on paper what I see clearly in my mind. When I come to a fresh piece of paper and just paint, there are no expectations, no pressure, just the pleasure of painting. And this is something I am loving more and more. I trust that I will one day find my painter’s voice. All in good time.

Feeling the need for a focus and the feeling (after 30 days being part of a 200-strong group of challengers), that I do not want to do this alone, I decided to embark on Connie Hozvicka’s online workshop Total Alignment. With Connie’s virtual hand-holding, video by video guiding you through the process of FEARLESS® painting, paiting without expectations, it’s like hearing my own voice. I am back to the teen-me, the fearless me, the one who just painted… the one who carried a notebook everywhere, who drew, wrote, created on a daily basis and yes, the one who got angry and frustrated, frightened and almost gave up… but then picked up that pen again, went back to the drawing board and drew… drew on the tube, in the street or the café, at home in the early hours… the one for whom art was a part of daily life.

The art I have created this past week or so is not what I would ever have had in mind. In years gone by, I may have hidden it away, thrown it even, but now I feel happy to share. I have posted it here because it is part of the process… another milestone along the path… another step in the right direction.

In painting without expectation, I am free to immerse myself in the process. In painting free from expecation, I am free to explore whatever I wish in any way I wish. In painting free from expectation, it does not matter what comes out. What matters for me now is the process… the feeling… that fabulous freedom of paper, paint, hand, brush… anything is possible.

And this is what I want to share.

This is what I LOVE:
I love taping a new piece of paper to my big piece of wood.
I love the sound of water gushing out of the tap and into the glass jar as I turn the tap on too fast.
I love holding the brush in my hand.
I love the look of those freshly squeezed colours on my palette.
I love the first brushstrokes, putting something, anything on the page.
I love going with the flow.
I love seeing what emerges.
I love the dance of my hand and my brush.
I love walking away.
I love coming back.
I love the fact that I am painting.
I love that I am loving painting.

I want you to feel this too… the joy of painting.
So try it.
Just try… and let me know how it goes.